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1081:(Tampa, Florida) for Saturday, August 13, 1938, that the first dollhouse was purchased by Oraleze O'Brien (Mrs. Frank J. Knight) in 1916 when Moore (then Kathleen) left Tampa. Oraleze was too big for dollhouses, however, and she sold it again after her cat had kittens in it, and from there she lost track of it. The third house was possibly given to the daughter of Moore's good friend, author382:, which ran right past the Howey residence. (They occupied at least two residences between 1910 and 1916: 4161 Sheridan and 4942 Sheridan.) In interviews later in her silent film career, Moore claimed she had appeared in the background of several Essanay films, usually as a face in a crowd. One story has it that she got into the Essanay studios and waited in line to be an extra with33:
993:. Her injury forced the production to shut down while Moore spent six weeks in a body cast in bed. Once out of the cast, she completed the film and left for Europe on a triumphal tour. When she returned, she negotiated a new contract with First National. Her films had been great hits, so her terms were very generous. Her first film upon her return to the States was1148:
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said: "Colleen Moore contributes some remarkable bits of acting. She is very sweet as she goes trustingly to her bandit hero, and, O, so pitiful, when finally realizing the character of the man, she goes into a hysteria of terror, and, shrieking 'Daddy, Daddy, Daddy!' beats futilely on a bolted door,
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1900 census for Port Huron, St. Clair County, MI., Fifth Ward, Sheet 9. Household occupants listed as: Mary Kelly, head of household; Kathleen (Moore's aunt), daughter; Charles Morrison, son-in-law; Agnes Morrison, daughter; and Kathleen Morrison with birth-date given as August 1899. Also: Wolverine
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wrote of Moore, "She was a lovely and unspoiled child the last time I saw her. Let's hope commendation hasn't turned her head." Despite her good notices, her luck took a turn for the worse when Selig Polyscope went bust. Once again Moore found herself unemployed, but she had begun to make a name for
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in August 2056. A child named "Kathleen Morrison" was mentioned in the 1900 bc census, two years before the birth date she often gave (1900 census for Port Huron, St. Clair County, MI., Fifth Ward, Sheet 9). Furthermore, her brother's birth was recorded in St. Clair County birth record #6031, page
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Two of Moore's great passions were dolls and movies; each would play a great role in her later life. She and her brother began their own stock company, reputedly performing on a stage created from a piano packing crate. Her aunts, who doted on her, indulged her other great passion and often bought
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of First National Studios. They married in 1923 and divorced in 1930. In 1932, Moore married stockbroker Albert P. Scott. The union ended in divorce in 1934. Moore's third marriage was to another stockboker, Homer Hargrave, whom she married in 1936. He provided funding for her dollhouse and she
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was one of the bigger productions of the era, a World War I drama. A million dollar film, it made back every penny spent within months. Prior to its release, Warner Bros. had taken control of First National and were less than interested in maintaining the terms of her contract until the numbers
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in Europe, and Moore saw the tour as her first real opportunity to spend time with her husband, John McCormick. Both she and John McCormick were dedicated to their careers, and their hectic schedules had kept them from spending any quality time together. Moore wanted a family; it was one of her
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was in the cast and noticed Moore could not mount her horse, though horseback riding was required for the part (during casting for the part she neglected to mention she did not know how to ride). Blue gave her a quick lesson essentially consisting of how to mount the horse and how to hold on.
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At the height of her fame, Moore was earning $ 12,500 per week. She was an astute investor, and through her investments, remained wealthy for the rest of her life. In her later years she would frequently attend film festivals, and was a popular interview subject always willing to discuss her
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In 1927, Moore split from her studio after her husband suddenly quit. It is rumored that John McCormick was about to be fired for his drinking and that she left as a means of leveraging her husband back into a position at First National. It worked, and McCormick found himself as Moore's sole
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311:, by 1908. They are listed at three different addresses during their stay in Atlanta (From the Atlanta-Fulton Public Library city directories): 301 Capitol Avenue − 1908; 41 Linden Avenue – 1909; 240 N. Jackson Street – 1910. They then lived briefly — probably for less than a year — in503:. This was her fourth film, and she was only needed for two weeks. Upon her return to the Fine Arts lot, she spent several weeks trying to get her pay for the three weeks she had been available for work for Triangle (finally receiving it in December of that year).390:
many years later, Ferguson told a story that substantially confirmed many details of the claim, though it is not certain whether she was referring to Moore's stints as a background extra (if she really was one) or to her film test there prior to her departure for
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a panic-stricken little human animal, who had not known before that there was aught but kindness in the world." About the time her first six-month contract was extended an additional six months, she requested and received five weeks' release to do a film for
300:, Moore was the eldest child of Charles R. and Agnes Kelly Morrison. The family remained in Port Huron during the early years of Moore's life, at first living with her grandmother Mary Kelly (often spelled Kelley) and then with at least one of Moore's aunts.1130:
and raised his children (she never had children of her own) from a previous marriage, with whom she maintained a lifelong close relationship. Throughout her life she also maintained close friendships with other colleagues from the silent film era, such as
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Moore took a hiatus from acting between 1929 and 1933, just as sound was being added to motion pictures. After she returned, her four sound pictures released in 1933 and 1934 were not financial successes. She then retired permanently from screen acting.
791:, a publicist who had had his eye on Moore ever since he had first seen her photograph. He had prodded Marshall into an introduction. The two hit it off, and before long they were engaged. By the end of that year, three more of her films were released:423:(she had one brown eye, one blue eye) would not be a distraction in close-up shots. Her eyes passed the test, so she left for Hollywood with her grandmother and her mother as chaperones. Moore made her first credited film appearance in 1917 in1050:
In 1928, inspired by her father and with help from her former set designer, a dollhouse was constructed by her father, which was 9 square feet with the tallest tower 12 feet high. The interior of The Colleen Moore Dollhouse, designed by
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The issue of her birth date is addressed on page 9 of the second chapter of "Colleen Moore, A Biography of the Silent Film Star," citing records that mention the birth of a child to the family of Charles and Agnes Morrison in the
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adopted his son, Homer Hargrave, Jr, and his daughter, Judy Hargrave. The couple remained married until Hargrave's death in 1964. In 1982, she married builder Paul Magenot, and they remained together until Moore's death in 1988.
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since October 30, 1949, where, according to the museum, it is seen by 1.5million people each year and would be worth $ 7million. Moore continued working on it and contributing artifacts to it until her death.
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filmed in part in the vicinity of the Seven Oaks (a popular location for productions that required dramatic vistas). This was her first true western. The film's scenario was written by Wilfred Lucas from a story by
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In 1934, Moore, by then divorced from Albert Parker Scott, returned to work in Hollywood. She appeared in three films, none of which was successful, and Moore retired. Her last film was a version of
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Although Moore was a huge star in her day, approximately half of her films are now considered lost, including her first talking picture from 1929. What was perhaps her most celebrated film,
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Promotional portrait of Moore at the height of her fame, c. 1927, showing the famous Dutchboy bobbed haircut that she made famous, and which she apparently kept until the day she died
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since the early 1950s. The dollhouse, measuring 9 square feet (0.84m), was estimated in 1985 to be worth $ 7million, and it is seen by 1.5million people annually.
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By this time, Moore had publicly confirmed her engagement to McCormick, a fact that she had been coy about to the press previously. Before mid-year, she had signed a contract with
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892:, and soon after she dismissed the whole flapper vogue; "No more flappers...people are tired of soda-pop love affairs." Decades later Moore stated Bow was her "chief rival."2586:
153, as being on June 10, 1901; Moore always said she was two years older than her brother. However, this birth date would have made Cleeve one year older than his sister.
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Soon after, the Triangle Company went bust, and while her contract was honored, she found herself scrambling to find her next job. With a reel of her performance in
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Moore also nurtured a passion for dollhouses throughout her life and helped design and curate The Colleen Moore Dollhouse, which has been a featured exhibit at the
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Moore was born Kathleen Morrison on August 19, 1899, (according to the bulk of the official records; the date which she insisted was correct in her autobiography,
1077:(1968), evolved from a cabinet that held her collection of miniature furniture. It was supposedly built from a cigar box. Kitty Lorgnette wrote in the edition of559:, another western, this time with Tom Mix. Her mother went along as a chaperone. Moore wrote that while she had a crush on Mix, he only had eyes for her mother.3185:
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In the 1960s, Moore formed a television production company with King Vidor, with whom she had worked in the 1920s. She published two books in the late 1960s,
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For all his efforts to win Moore away from Christie, it seems Neilan loaned Moore to other studios most of the time. He loaned her out to
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her miniature furniture on their many trips, with which she furnished the first of a succession of dollhouses. Moore's family summered in
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for Triangle Fine Arts, and for the next few years appeared in small, supporting roles gradually attracting the attention of the public.
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757:, Moore actually appeared in a film within the film; the framing film was a comedy vehicle for Chic Sales. The film it framed was a3135:
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Stars of the Screen, 1931: A Volume of Biographies of Contemporary Actors and Actresses Engaged in Photoplay Throughout the World
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in 1929, Moore took a hiatus from acting. After divorcing McCormick in 1930, Moore married prominent New York-based stockbroker
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411:"I was being sent to Hollywood - not because anybody out there thought I was any good, but simply to pay off a favor".1023:, a dramatic film that featured Moore as a young dancer in London's Limehouse district during the previous century.979:
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Directory Co.'s St. Clair County Directory, pg. 251: "Morrison, Chas R, collector Commercial Bank, res 817 Ontario"
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in December, she gradually lost her momentum. In spring 1924 she made a good but unsuccessful effort to top Bow in
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had been attempting to get Moore released from her contract so she could work for him. He was successful and made
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era. Moore became one of the most fashionable (and highly-paid) stars of the era and helped popularize the
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At the age of 15 she took her first step into Hollywood. Her uncle arranged a screen test with director
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After her film career, Moore maintained her wealth through astute investments, becoming a partner of
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in November 1917. Film producer D. W. Griffith was in debt to Howey, who had helped him to get both
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This dollhouse was the eighth one Moore owned. The first dollhouse, she wrote in her autobiography
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production, and while it had started production earlier, it would not be released until after
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2821:"Inside the $ 7m fairy castle doll's house built by 100 people for a Hollywood film star"1251:
Colleen Moore was the torch. What little things we are to have caused all that trouble."
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1234:. For her contributions to the motion picture industry, Colleen Moore has a star on the987:
Plans for the trip were put in jeopardy when she injured her neck during the filming of
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which became an annual event, in recognition of her growing popularity. In early 1922,
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producer. Moore's popularity allowed her productions to become very large and lavish.
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was released in 1927, filmed in part in New York, a thinly veiled Cinderella story.
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on films of the time. 1922 proved to be an eventful year for Moore; she was named a
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in 1932. The couple lived at that time in a lavish home at 345 St. Pierre Road in
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1013:, a straight comedy that featured a cameo appearance by comedian Harry Langdon.878:, was a hit. The controversial story put Moore in focus as a flapper, but after703:
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1085:. The fourth survives and remains on display in the living room of a relative.330:
but instead, she found herself playing heroines in Westerns with stars such as
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2835:"History in Miniature: Colleen Moore's Dollhouse and Historical Recollection"2922:
Some Vitaphone discs survive; these include reels 1, 5-7 and the exit music.
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1055:, features miniature bear skin rugs and detailed furniture and art. Moore's901:
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1187:, which recounts Vidor's attempt to make a film of and solve the murder of932:. The film went through a number of title changes before being released as944:
was a musical comedy. In December, First National purchased the rights to
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By the late 1920s, she had accomplished dramatic roles in films such as
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was a romantic comedy with dramatic undertones, and it was followed by
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were released in early 1923, followed by two Cosmopolitan Productions,
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273:. She later wrote a "how-to" book about investing in the stock market.250:
2800:"Inside the $ 7m fairy castle doll's house built by 100 people for A"1227:
1161:(1980) recalls that the models for her hairstyle were Japanese dolls.758:
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1205:(1980), providing her recollections of Hollywood's silent film era.653:. At the same time as she was working on these films, she worked on1199:
Hollywood career. She was a participant in the documentary series
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262:(1923), is now mostly lost as well, with only one reel surviving.787:, released that same year. In addition, Neilan introduced her to551:
herself by 1919. She had a series of films lined up. She went to
1105:, where they hosted parties for and were supporters of the U.S.971:. An overseas tour was planned to coincide with the release of936:
in August. In October, First National purchased the rights to
727:, released in May 1921, yet another Western. After working on352:
and an important newspaper editor in the publishing empire of
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was released, her only film to be released that year besides
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production; it was a baseball film whose hero was played by
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and in so doing had mapped out Moore's schedule for 1925:
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Colleen Moore acting in a scene from the 1927 silent film
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was conditional on passing a film test to ensure that her
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Colleen Moore using a Star-Rite Electric Massage Vibrator
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Most of the Vitaphone discs are lost, apart from reel 6.
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Moore was married four times. Her first marriage was to
1179:(1968). She also figures prominently alongside Vidor in866:
was still in production, and just before the release of
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with Moore, releasing near the end of 1920, followed by
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copy with one reel is held at the Library of Congress
2729:. Doubleday & Company, Inc, Garden City, NY, 1968455:'s first wife). Two months later, it was followed by3024:
Silent Star: Colleen Moore Talks About Her Hollywood
2524:"Colleen Moore, Star of 'Flapper' Films, Dies at 85"1176:
Silent Star: Colleen Moore Talks About Her Hollywood
472:, the famous outlaw who had been freed from jail by3017:
A-Z of Silent Film Comedy, An Illustrated Companion
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2980:Colleen Moore; A Biography of the Silent Film Star1005:(another musical in the style of the very popular1001:from an English perspective. This was followed by599:was a Famous Players–Lasky production released by595:film, was released a few weeks later on July 28.378:was within walking distance of the Northwestern1226:On January 25, 1988, Moore died at age 88 from409:
2767:The Story of Hollywood: An Illustrated History499:'s Bluebird division, released under the name2598:Golden Images: 41 Essays on Silent Film Stars928:was released. After that, she was to star in735:, she was off to Catalina Island for work on8:
2881:. Blood Moon Productions, Ltd. p.549.1811:A copy is held at the George Eastman Museum1608:A copy is held at the George Eastman Museum1167:How Women Can Make Money in the Stock Market835:, and her first two films were slated to be2014:A print is held at the Library of Congress1244:wrote of her: "I was the spark that lit up3064:
2559:"50 Years Of Colleen Moore's Fairy Castle"922:furor in January 1924. Three weeks later,631:The next stage of her career was with the435:was released on February 18, and featured20:
2769:. www.storyofhollywood.com. p.122.2673:. R.L. Polk & Co. 1912. p.522.2517:
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2050:Trailer survives at Library of Congress1978:copy is held at the Library of Congress1869:copy is held at the Library of Congress1258:
918:, was released during the height of the870:. When it was finally released in 1923,689:
514:arranged for her to get a contract with2482:
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1126:in 1934. She later married the widower862:Moore and John McCormick married while661:(in which she played a Persian woman),346:. Howey was the managing editor of the183:1937; died1964)2956:Jeanine Basinger, chapter on Moore in1046:Colleen Moore Fairy Castle (Dollhouse)874:, in which she starred opposite actor587:followed on July 6, another Fox film.536:. Both films were based upon poems by407:through the Chicago censorship board.2710:Moore interviewed by Jennifer Small,2536:from the original on November 9, 20127:
3186:20th-century American businesspeople593:Universal Film Manufacturing Company3181:20th-century American businesswomen3156:People from Paso Robles, California1059:has been a featured exhibit at the952:would be filmed first, followed by783:. Hughes directed Moore himself in315:, and by 1911, they had settled in2879:Hollywood's Silent Closet: A Novel2522:Fowler, Glenn (January 26, 1988).2491:"Colleen Moore | American actress"14:
2852:"Homer Hargrave, Broker, Is Dead"2627:. NC, USA: McFarland. p.9.914:, originally shot under the name518:. She was very likely at work on3161:People from Port Huron, Michigan3151:Deaths from cancer in California3037:
2819:Williams, Rob (August 2, 2013).2356:Vitaphone music + sound effects2337:Vitaphone music + sound effects2309:Vitaphone music + sound effects1688:UCLA Film and Television Archive571:, which was released on May 18.526:was released in November. After228:
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3116:20th-century American actresses2789:Los Angeles Times, May 18, 19242765:Williams, Gregory Paul (2006).200:
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3166:American women autobiographers3146:American silent film actresses3092:Hollywood, California: c. 19272684:Rhoads, Mark (July 23, 2006).2289:EYE Film Institute Netherlands1646:EYE Film Institute Netherlands1061:Museum of Science and Industry853:came out in June, followed by546:was released in December. The278:Museum of Science and Industry1:
1732:The Wampas Baby Stars of 1922303:By 1905, the family moved to2116:Crowd extra in chariot race731:on location in the snows of326:. She wanted to be a second16:American actress (1899–1988)2187:Twink "Twinkletoes" Minasi575:was an H. Ince Productions-415:The contract to Griffith's3204:
2971:Cedric Osmond Bermingham,2387:Betty Murphy/Fifi D'Auray1830:ten minute version exists1318:An Old-Fashioned Young Man775:was released, made from a458:An Old-Fashioned Young Man3053:The Colleen Moore Project2841:, 16.3 (2001), pp.113-1572600:. McFarland. p.98.2418:
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3176:Merrill (company) people3171:American women investors3131:American autobiographers2744:AFI Catalog Silent Films1460:The Man in the Moonlight1195:after her film career.589:The Man in the Moonlight451:(who would later become3136:American film actresses3126:Actresses from Michigan2877:Porter, Darwin (2001).2624:Colleen Moore Biography2495:Encyclopedia Britannica2404:The Power and the Glory1281:The Prince of Graustark1232:Paso Robles, California1038:started to roll in for833:First National Pictures555:, for location work on386:: in an interview with354:William Randolph Hearst80:Paso Robles, California3121:Actresses from Chicago2331:A copy is held at the2287:A copy is held at the1686:A copy is held at the1644:A copy is held at the1587:A copy is held at the1494:A copy is held at the1472:A copy is held at the1236:Hollywood Walk of Fame1189:William Desmond Taylor1162:
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2690:Illinois Hall of Fame2621:Codori, Jeff (2012).1474:George Eastman Museum1238:at 1551 Vine Street.1181:Sidney D. Kirkpatrick1150:
1117:held in Los Angeles.1109:team, especially the982:
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633:Christie Film Company617:
548:Chicago Daily Tribune491:Chicago Daily Tribune398:The Birth of a Nation2984:McFarland Publishing2713:The Pittsburgh Press2671:Tampa City Directory2596:Golden, Eve (2001).2441:Success at Any Price2382:Footlights and Fools1782:Forsaking All Others1558:Her Bridal Nightmare1482:The Egg Crate Wallop1443:The Wilderness Trail1406:Little Orphant Annie1271:Preservation Status1115:1932 Summer Olympics794:Forsaking All Others638:Her Bridal Nightmare597:The Egg Crate Wallop585:The Wilderness Trail577:Famous Players–Lasky565:Fox Film Corporation561:The Wilderness Trail557:The Wilderness Trail544:Little Orphant Annie538:James Whitcomb Riley533:Little Orphant Annie488:On May 3, 1917, the313:Warren, Pennsylvania298:Port Huron, Michigan156:1932; 129:1923; 61:Port Huron, Michigan2940:Alternative title:2910:Alternative title:2302:Jeannine Berthelot2002:The Perfect Flapper1857:The Nth Commandment1818:The Ninety and Nine1589:Library of Congress1448:Jeanne Fitzpatrick1357:Nurse (uncredited)1352:The Little American1242:F. Scott Fitzgerald1099:Albert Parker Scott1093:With the advent of890:The Perfect Flapper825:The Nth Commandment820:The Nth Commandment800:The Ninety and Nine745:. In October 1921,474:presidential pardon305:Hillsdale, Michigan3141:American investors3062:TCM Movie Database2858:. February 4, 19642856:The New York Times2567:. August 23, 1985.2529:The New York Times2458:The Scarlet Letter2394:Soundtrack exists2375:Soundtrack exists2368:Kathleen O'Connor2363:Smiling Irish Eyes2280:Lady Kay Rutfield2202:Orchids and Ermine2021:Flirting with Love2007:Tommie Lou Pember1949:Patricia Fentriss1637:Doreen O'Sullivan1394:Patience Thompson1286:Maid (Uncredited)1163:
1123:The Scarlet Letter1025:Orchids and Ermine985:
934:Flirting with Love907:
899:Moore on cover of882:took the stage in715:
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601:Paramount Pictures553:Flagstaff, Arizona478:Theodore Roosevelt417:Triangle-Fine Arts3000:978-0-7864-8899-52992:978-0-7864-4969-92808:. August 2, 2013.2805:Independent.co.uk2716:, August 23, 19762692:. Illinois Review2641:on August 4, 20112634:978-0-7864-4969-92474:
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